Eric McDow formed SPICE with Kevin Macmichael and Paul Eisan during the autumn of 1978. At first, a loosely knit combination of musicians who shared an interest in music recorded by The Beatles, the group performed at fraternity houses and on college campuses across the Maritimes. As the months went by, SPICE became more and more popular with the university crowd. Eventually, they came to the attention of Terris Panagiotakos who owned of the Misty Moon showbar in Halifax. In 1980, the Misty Moon was one of the largest nightclubs in Canada and featured premier Canadian and American recording acts. Perhaps sensing something in the air, Panagiotakos offered the trio an opening spot for Toronto bluesman, Jim Eaves, in January of 1980. The group was rather reluctant to perform three-piece in one of the nation's top venues, so Floyd King was recruited to make the lineup more complete. Both Kevin and Paul had worked with Floyd previously and his knowledge of the music made him the natural choice.

The band's appearance at the Misty Moon was a smashing success. Less than a month later the group was asked back to perform at the club in a headline capacity. In the years that followed, SPICE performed dozens of shows throughout the Maritimes and became the biggest draw everywhere they played, including the 1500 seat Misty Moon. Sold out shows became routine and the crowds kept coming month after month.

During a live performance, SPICE relied heavily on performing music from the Beatles' catalogue but intentionally stayed away from the theatrics of Beatle tribute bands. Beatlemania, 1964, Rain and Liverpool were all examples of groups that attempted to mimic the Beatles in both appearance and song. From the outset the underlying philosophy behind SPICE was to perform accurate and authentic renditions of Beatle songs with a clear focus on capturing the energy and excitement that is so much a part of the music. The importance of the Beatles in the history of popular recorded music cannot be overstated. They appealed to millions by transforming rock & roll from a rebel's yell and a lover's whisper into the most comprehensive music of the twentieth century. Their succession of creative periods ended with the elimination of the line that divided high art and popular entertainment. It has been said that not liking the Beatles is as strange as not liking the sun. Why did SPICE become so popular? Essentially, the group captured in music the spirit of the world's best-loved band.

Not content to perform only Beatle music, SPICE always included a set of material that highlighted some of the classic record releases from the mid-sixties. Artists such as the Hollies, the Rolling Stones, Roy Orbison, Los Bravos, the Searchers, the Animals, the Rivieras, the McCoys, Del Shannon and the Kinks all helped to make up the catalogue SPICE drew from in a live show. The group's venture into the area of original music resulted in a number of singles entering the charts successfully. Beautiful You (Kevin), Prisoner of Love (Floyd), Hey Little Girl (Paul) and Give Me Money For Christmas (Floyd) are only a few of the originals which demonstrate that from the beginning SPICE was always never a mere cover band.

The group's last project was to be a show that musically traced the Beatles story from the early days in Liverpool and Hamburg to the end of their career on a rooftop in London. The music would have been contrasted against the major events of the 1960s by means of audio and video clips. This two hour anthology was titled Off The Beatle Track.

An evening with SPICE was always an evening of songs from one of the most important decades in the history of popular music. From the Beatles' formative years through to the period of Beatlemania, from the movies A Hard Day's Night and Help, into the experimentation of the studio years and ending as the sixties draw to a close. All of this music mixed with presentations of some of the biggest selling records from the era of the British Invasion. This, along with the addition of some SPICE originals, made for a great show as the group rolled back the years with a positive and vibrant delivery of many of the greatest songs written during the twentieth century.

Kevin Macmichael - guitar / vocals

Kevin Macmichael worked steadily in the Maritime music scene before deciding to emigrate to England. He left Canada in June of 1985 to form a band in London with British songwriter Nick Van Eede. The group was called Cutting Crew and Broadcast, their debut album for Virgin Records, included the hit songs, (I Just) Died In Your Arms and I've Been In Love Before. The former was the number one record in 19 countries around the world in 1987. For the next three years Cutting Crew toured extensively throughout Europe, America and the Far East. The group was nominated for a Grammy Award as Best New Artist and appeared on dozens of international television programmes, including the UK's Top of the Pops and the Johnny Carson Show in the United States. As a member of Cutting Crew, Kevin co-wrote and produced three more albums for Virgin Records: The Scattering (1988), Compus Mentus (1991) and The Best of Cutting Crew (1992).

During 1992, Kevin was approached by former Led Zeppelin vocalist Robert Plant and Tears for Fears producer Chris Hughes to collaborate on Plant's Fate Of Nations CD for Phonogram/Fontana. Kevin is featured as guitarist and co-writer on the 1993 recording. With the release of Fate of Nations, Kevin became the musical director for Plant's touring band. Their summer tour kicked off with dates in Prague, Budapest and Paris. The Robert Plant Band spent most of the summer touring Europe as a double header with Lenny Kravitz. The Fate of Nations tour ended with an appearance at the Glastonbury Festival with a sell-out crowd of more than 90,000.

Toward the end of 1993 Kevin decided to leave Plant's band and was replaced by Jimmy Page. After almost nine years of working out of London, England, he chose to return to Canada. This was truly an opportunity to bring his song writing and production skills back to the industry and the region in which he developed much of the talent that took him around the world. Sadly, Kevin lost his battle with cancer on December 31, 2002.

Paul Eisan - bass / vocals

Paul Eisan has always been busy in the world of the performing arts. His amazing vocal talent brought him to the attention of Neptune Theatre's directors and he was given a part in their production of Joseph and the Amazing Technicolor Dreamcoat. When Theatre New Brunswick needed the services of a powerful vocalist, they too turned to Paul for their production of John Gray's, 18 Wheels.

His first self-titled album release resulted in a mild regional hit with Mississippi born Jerry Butler's 1969 recording, Only The Strong Survive. The album was recorded as part of the Canadian Talent Library Series. In recognition of his tremendous natural talent he was asked by the producers of both Anne Murray and Roger Whitaker to take part in national television specials highlighting top Canadian artists. Paul has given live concert performances in Holland, Bermuda, Philadelphia, Baltimore, Boston and New York.

Paul's song writing abilities resulted in his collaboration with Terry Kelly on the recording, California Nights. A spin-off of his ability to write songs was the development of a successful radio and television jingle career. His voice can still be heard on many of the region's top advertising spots. He was selected by the television network, MITV to write and perform the station's all new promotional spots which aired almost hourly for three years. The Toronto based CHUM network asked Paul to sing in their 1992 campaign to strengthen Canadian unity. He performed the wonderful, Christmas In Canada that year for audiences coast to coast.

Most recently, Paul wrote and recorded the CD, After Forty Years, which reflects his deep interest in country music. Another direction for the multi-talented performer whose signature is the power of his voice and the quality of his art.

Floyd King - guitar / vocals

Floyd King has been involved in the music industry for almost thirty years. He is a seasoned veteran of the Atlantic Canadian club circuit and a tremendously skilled songwriter. His song, Come Home To Nova Scotia, won out over more than two hundred other submissions for selection as the theme in Nova Scotia's Old Home Summer campaign to increase tourism to the province. The novelty song released with SPICE, Give Me Money For Christmas is still played each holiday season more than fifteen years after it was recorded. He has appeared on radio and on television many times, including spots on the Tommy Hunter Show and the Canadian Country Music Awards Show.

Song writing and production have always been the areas of the music industry that Floyd felt most content developing. He often wears a producer's hat these days and his work producing and co-writing songs on Terry Kelly's Divided Highway CD helped to win awards from the ECMA, the CCMA and from SOCAN in recent years. The production values that Floyd brought to the Divided Highway project resulted in Terry Kelly being nominated to receive a Juno Award for Vocalist of the Year in 1995.

Continuing his collaboration with Terry Kelly, Floyd produced the majority of tracks on Terry's CD, Far Cry From Leaving. Floyd has performed across Canada, the United States and Australia and can occasionally be seen as the featured guitarist with Terry Kelly's touring band.

Eric McDow - drums

Eric McDow has always been focused on the business aspects of the music industry. From the beginning one of his roles as a member of SPICE was to coordinate the performance dates for the group. The contacts he developed over the years served as the foundation to build a separate business centered around booking nightclub acts. Bands such as Sam Moon, The Press, Kid Cadillac, Matt Minglewood, Domino, The Aviators, Freeze and The Persuaders were only a few of the names Eric included on his roster of artists throughout the 1980s.

During the spring of 1989, Eric was approached by Vancouver producer Les Vogt who had worked for many years with Roy Orbison and who had been responsible for the Legends of Rock and Roll series at Expo '86 in Vancouver, British Columbia. The affiliation licensed Eric to produce the Vancouver based shows into eastern Canada, Quebec and New England. As the new decade approached, Eric developed the performance series, Biography On Stage and concentrated more and more on producing shows such as The Legends of Rock and Roll, the award winning Elvis Elvis Elvis, Hank Williams: The Show He Never Gave, Sweet Music Man: The Life and Music of Kenny Rogers, Bernard Purdie Salutes The Platters and the Texas based presentation of The Roy Orbison Story. During September of 1997, in a unique and truly ironic twist, Eric signed an agreement with Pete Best to represent the former Beatle drummer for performance dates throughout North America.

Today Eric is still busy developing and producing musical presentations into theatres and festivals worldwide. His last project, Behind The Beatles featured Pete Best on stage with Kevin, Paul and Floyd in a historically accurate narrative and musical retrospective of the evolution of pop music in England from the days of skiffle up through the British Invasion and makes fascinating use of The Beatles' formative years in Liverpool and Hamburg as a backdrop for the story.

Liverpool, Hamburg and Beyond

My Bonnie
recorded May 18, 1961
John, Paul, George and Pete - Brian Epstein meets the Beatles

Love Me Do
recorded September 4, 1962
Beatles first single release peaked at #17 on the British charts

Please Please Me
recorded November 26, 1962
Beatles first U.K. #1 record, remaining #1 for two weeks in February 1963

From Me To You
recorded March 5, 1963
Beatles third single enters the charts at #6 - reaches and stays #1 for five weeks

I Saw Her Standing There
recorded February 11, 1963
McCartney and Lennon wrote this song while playing hooky from school

American Influences

Please Mr. Postman
recorded July 30, 1963
Cover version of the Marvelettes August 1961 hit record

You've Really Got A Hold On Me
recorded July 18, 1963
Cover version of the Miracles December 1962 hit record

The Ed Sullivan Show ~ February 9, 1964

All My Loving
recorded July 30, 1963
The first Beatles composition to become a standard

I Want To Hold Your Hand
recorded October 17, 1963
The first Beatles record to hit #1 in the United States, remaining #1 for seven weeks

She Loves You
recorded July 1, 1963
Written in a Newcastle hotel room - a signature song from the days of Beatlemania

The First Movie

A Hard Day's Night
recorded April 16, 1964
Title track from the Beatles first feature film - the original music video

Can't Buy Me Love
recorded January 29, 1964
Recorded at EMI Pathé Marconi Studios, Paris, France

If I Fell
recorded February 27, 1964
John Lennon's lyrics sold for $15,600.00 U.S. at Sotheby's, London in 1988

I Should Have Known Better
recorded February 26, 1964
Part of the Beatles concert repertoire throughout 1964

They're Getting Better All The Time

No Reply
recorded September 30, 1964
Beatles music publisher, Dick James, called this one of John Lennon's best songs

I Feel Fine
recorded October 18, 1964
First intentional use of feedback on a record intended for commercial release

The Second Movie

recorded April 13, 1965
Title track from the second film, originally called Eight Arms To Hold You

I've Just Seen A Face
recorded June 14, 1965
Originally called Auntie Gin's Theme after Paul McCartney's Aunt Gin

Ticket To Ride
recorded February 15, 1965
John Lennon stated that Paul's main contribution was the way Ringo played drums

You're Going To Lose That Girl
recorded February 19, 1965
Only two takes required to record one of the group's finest ballads

The End of Touring

Twist And Shout
recorded February 11, 1963
The Beatles covered an Isley Brothers standard and made it a rock & roll classic


The Beatles ~ Unplugged

This Boy
recorded October 17, 1963
One of the four songs performed on the Beatles first Ed Sullivan Show appearance

Yes It Is
recorded February 16, 1965
It took just five hours to record what John Lennon called a rewrite of This Boy

You've Got To Hide Your Love Away
recorded February 18, 1965
The first time the Beatles ever hired a session musician
( Johnnie Scott - flute )

Norwegian Wood ( This Bird Has Flown )
recorded October 12, 1965
Tuned to Western notes, the sitar was used for the first time on a Beatles song

recorded November 11, 1965
This song was written under pressure of a release deadline for the Rubber Soul album

recorded June 14, 1965
Over 2500 cover versions of this song make it the most recorded pop song of all time

The Studio Years

recorded April 20, 1966
British prime ministers Heath and Wilson are named in the stinging lyrics on taxation

Got To Get You Into My Life
recorded April 7, 1966
The first Beatles song to use brass instruments

Penny Lane
recorded December 29, 1966
This was originally intended for a never-released album on the Beatles childhood

Strawberry Fields Forever
recorded November 24, 1966
Written in Almeria, Spain, the Central Park memorial to John Lennon is named Strawberry Fields

All You Need Is Love
recorded June 14, 1967
Recorded for the Our World satellite TV spectacular seen by over 400 million people

Hello Goodbye
recorded October 2, 1967
The BBC banned this song when McCartney was found to be lip-syncing in the TV promo film

Lady Madonna
recorded February 3, 1968
Melody and arrangement based on Humphrey Lyttleton Band's Bad Penny Blues from 1956

recorded June 11, 1968
Inspired by newspaper accounts of the U.S. race riots in mid-1968

The End Of The Road

Two Of Us
recorded January 31, 1969
Paul McCartney wrote this about himself and his wife, Linda

Get Back
recorded January 27, 1969
The Beatles pass the audition

Ringo Starr

You're Sixteen
recorded May 14, 1973

George Harrison

My Sweet Lord
recorded June 6, 1970

Paul McCartney

Band On The Run
recorded September 22, 1973

John Lennon

recorded July 9, 1971


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